There is no market for ceramics and women

"38," the advent of women's topic has become a rule card.

Sociologists have noticed that in the past 150 years, some important changes in human society have increased the chance of women entering the public sphere. However, this does not mean that the rule of male power has collapsed, and the wealth and secrets of society have Still in the hands of men, women are still in the hands of the public. Women still belong to the “little handful” in the public domain.

In the army of Jingdezhen’s ceramic industry, what percentage of women are women? I currently do not have an authoritative figure. In terms of intuitive sense, it should be higher than the general industry. For example, I’ve had several colleagues in Jingdezhen’s former and current colleagues. When they changed to painting porcelain, these people were actually all women. Based on this reality, I believe that the attention given to ceramic women should not be merely a backdrop but should be normalized.

I had a point of view and said that "Jingdezhen is a mother."

I have stressed that such description is not offensive or even light Jingdezhen, but merely an image metaphor. The reason why this metaphor comes out is that when I was purchasing at an Ikea store one day, I suddenly discovered that most of the shopping around her was a woman. Those housewives who were reluctant to be happy with IKEA’s baubles were full of love and admiration. Eyes, it is not an exaggeration to say that if there is such economic strength, many of them will be happy to arrange their own homes as showrooms for IKEA products.

I suddenly realized that women have a key and authority for the choice and use of a product.

Some observers have suggested that the overall improvement in the quality of the people is to improve the quality of their mothers. I think this understanding captures the key to the problem. The mother is the first person in charge of each of us. She has all the habits and tastes. All may become the origin of our future life if a woman says: Jingdezhen has the best porcelain in China. This not only means that the family behind her has since become a lover and choice for Jingdezhen, but also means that this child will leave the memory and instinct of “Jingdezhen” in the choice of future vessels.

This is really a puzzling discovery.

Another finding is also related to women. Probably the reason for the millennium porcelain, in the Jingdezhen, the word fashion seems to have some "not tune up", especially in the ceramic field. However, we have overlooked a very important fact. Jingdezhen mainly focuses on the production of porcelain. This is mainly used to decorate the products of our living space. How should we not focus on fashion factors?

The concept of “Oshenano” Bao Jiejun’s most daring is to promote the “fashion” of ceramics. It not only has the trend of color release, but also the trend of materials and modeling. This is a case worthy of Jingdezhen. practice. The biggest shortcoming in the design of Jingdezhen's products is not fashionable enough. Many ceramic products in Jingdezhen are still accustomed to extremes. They are either extremely large or very thin. In fact, this should be attributed to the category of “exaggeration”. The root cause of this aesthetic interest should be the “extensiveness” that prevails in our society. consumption".

We continue the topic of women and ceramics.

I do not agree with the definition of the relationship between men and women in political terms such as “equality”. I think it is necessary to use “different” to emphasize differences between men and women. For example, the difference in physiological structure determines that men and women are different. The difference in psychological activity caused by the phenomenon of human society.

The so-called "stance" is the most basic point of view of a man looking at a woman and a woman looking at a man.

For example, in terms of sex, the differences in the male and female physiological structures determine the basic fact that males are entering and females are admitting. The resulting psychological implications are enormous. One party is given initiatively, and the other is passively accepted; one is the perpetrator and the other is the victim; the other party bears the consequences and the other party bears the consequences. All these differences reinforce the humiliation of women.

I think that what the women's rights movement really wants to subvert is to downplay and even eliminate women’s humiliation.

During the porcelain fair last year, when I visited a female potter's studio with my friend, I found out that she had a picture of her and her son on the wall. The background seemed to be a desert. She and her son lay on their backs and rushed to the camera. Smiled. The mood of a mother-in-law is the most touching place in this picture. The mother’s world is not only broad, but also fascinating. Female ceramic artists of similar subjects in Jingdezhen have little time to read, but they are filled with time. It is also a comparison of Jingdezhen ceramics market. Scarce.