Taste Chinese furniture culture to create classic furniture

After the Ming furniture, the Chinese furniture is a piece of Qing furniture. At the beginning of the Qing Dynasty, there was not much innovation in furniture, and the style of Ming Dynasty furniture was maintained. After the middle of the Qing Dynasty, the style of Qing style furniture gradually became clear, and the furniture also showed new features. The overall size was wider than that of Ming style furniture. Forming a stable, rich momentum, and the style is also very rich. Such as the Taishi chair has a variety of styles such as backrest, armrests, waist, and tooth bars. The decoration is more demanding and full, and often uses techniques such as gold painting and painting to show the effect of brilliance and splendor.

The culture of the Qing Dynasty was a relatively noble culture. In particular, after nearly a hundred years of economic prosperity and development in the Kang, Qian and Qian dynasties, it created another peak of furniture art in Chinese history. Qing style furniture, especially rosewood furniture, is gradually transferred from the court to the folk, while the style is more emphasis on carving, inlay and ornamentation. Every piece of furniture is exquisitely crafted, luxurious and flamboyant, giving a sense of grace and luxury. Therefore, although Ming and Qing furniture are different in style, they are the essence of Chinese classical furniture. It is also during this period that Chinese furniture has reached a peak, and the requirements for furniture production and design have been improved, and Chinese furniture has been pushed to the peak of art. In the existing Ming and Qing furniture, it is concentrated in the exquisite craft value, the high artistic appreciation value and the heavy historical and cultural value, which makes the furniture one of the cultural heritages that the Chinese nation can be proud of and cherish.

Modern mahogany furniture inherits the classical furniture tradition of the Ming and Qing Dynasties, maintains the ancient beautiful shape and artistic style, and absorbs the characteristics of Western furniture, using more advanced science and technology. From the perspective of style characteristics, after the development of the furniture industry, simple hand-made production was replaced by mechanical production. A large number of emerging furniture designers boldly performed a new interpretation of the product's shape. The mahogany furniture seems to be reborn in form. But in essence, it still retains the honest nature - the product is thick, the color of the wood, the gimmick and so on. Although the furniture we see today has a relatively new look, the overall feeling is quite simple. At the same time, this kind of furniture has a more obvious style inheritance characteristics, and its "honesty" is a spiritual pursuit of returning to nature, and honesty is very temperament. In addition, modernity has a strong classical atmosphere, with a dual aesthetic effect of classical and modern. In the design, the original function of Chinese furniture was also evolved: for example, the original painting case is now used as a dining table; the original double couch is now used as a three-seat sofa; the original case is now a TV cabinet.

For more than 30 years of reform and opening up, the cultural integration between China and the West has been inseparable. Especially in the 21st century, the aesthetic diversified value orientation of the East and West makes us more re-examine Chinese furniture from the perspective of cultural connotation. “New Chinese” furniture is a kind of furniture that is innovative in all aspects of form, structure, materials and technology under the premise of meeting the diversified needs of contemporary Chinese furniture. The new Chinese-style furniture is based on the development of traditional Chinese furniture culture, inheriting and innovating. At the same time, combined with the contemporary aesthetics, the traditional accumulating rules are passed through today's living environment design, giving products emotions; reaching people, people and things, The emotional exchange of things and things meets the needs of today's Chinese people for the diversification of furniture. In the choice of materials, the combination of wood and wood, solid wood, several styles of materials mixed together. The design draws on modern minimalist styles and embeds abstract Chinese symbols, pays attention to details, creates new combinations in different materials and colors, and combines high-grade fabrics, leather and metal, with traditional furniture. the difference.

As an integral part of the social material culture, furniture and people live together day and night, accompanied by people living together. It is not only a necessities for people to use, but also a record and expression of art and craft. In different historical periods, the function of furniture reflects a strong national ideology, national morality, and national behavior patterns. Wait. For example, the configuration of mahogany furniture is mostly straight line, square and square, giving people a sense of correctness and calmness, and its fine carving pattern reconciles the heavy feeling of the furniture, which makes the whole piece of hard furniture add. A bit soft and beautiful. For thousands of years, furniture has always maintained an extremely close relationship with social politics, culture and people's customs, beliefs, and lifestyles. As far as its decorative theme is concerned, it fully reflects the traditional Chinese cultural thoughts and aesthetic tastes. The aesthetic concept is embodied in the furniture. Under the premise of satisfying the function of use, each part of the furniture is given different artistic styles, or various kinds of patterns are decorated on the surface of the parts by various methods, so that the utensils are practical and Ornamental. Give people a feeling of comfort in visual effects. Each picture embodies the profound cultural heritage of the Chinese nation. Every picture can tell a beautiful little story. It is both a material carrier and a spiritual connotation. It can be said to be a subtle combination of material civilization and spiritual civilization. A beautiful piece of furniture must have the perfect unity of form and content, and the meaning of the decorative pattern is the emotional condition of comprehending the ideological culture. It is a remarkable feature of cultural value to stimulate people's emotions with image beauty and cultural thoughts.

How to taste, appreciate Chinese furniture and spread Chinese furniture culture is the responsibility and obligation of every furniture person. As part of what we can do, we can provide a platform for the designer's thoughts to collide and sublimate here; let the craftsman's exquisite craftsmanship be highlighted here; let the corporate furniture brand's cultural concept be promoted here... let Chinese furniture The most beautiful spiritual culture fireworks bloom here. In the ocean of " Chinese furniture ", let us jointly taste the artistic and cultural charm of the Chinese furniture, which is carved, and carved.

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